Monday, 30 June 2014
The rehearsal stage is what I'm calling, to quote a phrase, A Nine Days Wonder. It's nine days from start (a read through) to finish (performance - duh!) So everything has to be ready for that first day. Pre-production also means one-to-one meetings with each of the cast, not only to go over the technical side of the show, but to talk through how scenes work and even (drifting into rehearsal territory) talking about character. But basically, because time is precious in those nine days, I don't want to start fielding questions from people about the basic set up when group time cannot be wasted.
So far I've met up with the fantastic Annie Eddington to talk about her character, Katy. She's a fixer, a doer, who facilitates my character, Matthew, in spending his vast wealth. She is also part of a double act and has some of the funniest lines in the play. Well, I thought so, when we went over it the other day. It is astounding how much you forget about a play in the months / years since you wrote it. Full of stuff I don't remember. And lots of embarrassing typos - which somehow got through the read through stage a couple of years ago. Most distressing. I spelled route, as in the route you take somewhere, as root. KILL ME NOW! Other odd discrepancies like though being typed as thought make me suspicious of my computer - it's systematic throughout the text. Once might be considered a misfortune, twice looks like aggressive microsoft grammar settings.
Following the meet with Annie, I started to pre-block the show. I don't normally do this, not this thoroughly, but I need to give clear instructions as the show rehearses. It will change, but the basic steps should now be clear. The final scene will almost certainly devolve into a bus queue, but I don't see any way round it at this stage. It's a bitch of a scene to get right. Seriously, who wrote it. Oh yes. Me. I hate past Robert sometimes, he's always trying to trip future Robert up.