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Tuesday, 19 August 2014

March of the Shakespeare Trilogy

I didn't quite intend to spend so much time on Shakespeare this year.  I planned to do a piece or two that touched on him, I planned to perform his narrative poems (one down, one to go) and that was about it.  But for some reason my Shakespeare-ish-based plays won't go away.  In fact, they have morphed into The Shakespeare Trilogy.  First up was The Juliet Inquiry - a straightforward project, a one off.  Except it went so well, we're doing it again.  In October.  Twice.  (Details below.)  It's entirely possible we'll keep doing it.  It was very well received, it was interesting to do, there is still room for improvement.
Then there was a new version of an old play The Shakespeare Delusion which I put into the schedule because it timed well with the LOST One-Act Festival.  It didn't win, but it did then return for the Face to Face festival and is returning to London again.  In October.  This is a play that is definitely not going away as I plan to try a tour it next year and would love to take to the festivals.  
And now there's Historic Crimes.  Which is being staged in... October.  I don't know how well it will go, I haven't finished writing it yet, but it will now cap off a season of work, playing with Shakespeare.  The Juliet Inquiry, though technically a version of Romeo and Juliet, was as much about how the contrast between an old story and the new world.  How they exist in very different worlds.  The Shakespeare Delusion is about the ridiculousness of the so called authorship 'question' - where the question is asked by a madman.  Historic Crimes is about how society changes, how things once considered acceptable change and what would happen to the Shakespeare industry if he fell from grace - basically it's about Bardolotry.  It's a loose trilogy, but there is now part of me thinking it could be presented as a whole.  Three plays, one after the other.  An unit of thought.  I don't know.
Either way, I'm hoping that all three plays, over October, will be available in some format online.  Either live streamed as audio and even possibly video (watch this space).  So, wherever you are, you can catch a bit or all of my accidental Shakespeare Trilogy.

Milk Bottle Productions Presents...
THE JULIET INQUIRY
By Robert Crighton
Based on the story of Romeo & Juliet by William Shakespeare 
Specially commissioned to celebrate Shakespeare's 450th Birthday

A complete re-imagining of the play where the story of Romeo and Juliet is told as a modern day public inquiry.  In this version the Montagues and the Capulets were once close families - until their children fell in love. This is the story of how love can tear apart, as well as heal, and how that love can seem when put under the public gaze.

Performing on Friday 3rd October at 7.30pm at the Lavenham Village Hall 
Performing on Saturday 4th October at 7.30pm at the Offton Village Hall
Tickets Pay-What-You-Want

Milk Bottle Audio Presents...
Historic Crimes
World Premiere By Robert Crighton – the Quay’s Artist in Residence
What would you want to see if you could look back in time and watch famous events in history?  And what would you do if they greatly disappointed you?  Or you discovered a hidden crime?  Would you tell the world if you discovered that Shakespeare no less was guilty of the worst of crimes?  Could you ever read his plays again?  Or allow them to be staged?  World premiere of a modern morality tale about Bardolatry, sex and lies – staged as a live radio broadcast and streaming live online at www.ustream.tv/channel/robert-crighton-storyteller
Performing on Monday 13th October at 7.30pm at the Quay Theatre, Sudbury
Tickets Pay-What-You-Want - can be reserved via the Quay Theatre Box Office
Telephone: 01787 374745 or online at www.quaytheatre.org.uk

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