So, people ask me, why Patreon? You make theatre, they say, why ask for funding for audio projects?
Well, there are a number of factors.
Firstly, I already do a lot of online audio content in association with my theatre work, I just don't get directly paid for it (or next to nothing - I think I took 3p last year, and 2p of that went out as royalties).
Secondly, I already have an informal Patreon arrangement with some of my audience who kindly pay me to make work (and it has made such a difference - last years Metal Harvest would not have happened without that support), so it makes sense to get a bit more organised.
Thirdly, whilst I love making theatre, the physical strain - or more importantly, the stress - of producing the work I do isn't sustainable anymore. I have to reduce the number of different live shows I do each year, but I know I won't stop producing a similar amount of - for want of a better word - content. I still create, I still write and at present haven't the resources to get that material out there, except as audio or text. It makes sense to try and make the audio realm my new base, take the opportunities that the internet offers - and avoid hospitalising myself.
That said, I still produce live shows - part of the deal for my Patreons are offers on tickets, associated merchandise, and home shows - I just won't produce as many different shows. This year, for example, I am currently writing two new forty-fifty minute pieces for live performance, with the expectation that I will write maybe an additional full length piece. Normally I produce half a dozen or so. And I still will - but they'll be online instead. And they'll be fantastic (he said, hopefully).
So, on Friday (or whenever onwards) come to my Twitter feed or here and have a look at my Patreon page, and contribute if you can. Or just share. Sharing is good.
I'll leave you with this radio play I produced in 2014, Historic Crimes - a play about what might happen if you discovered that Shakespeare was a criminal. I have shared this before, but I was forced to compress the audio to an unacceptable level - this is the listenable version!