What have I done this year? It's nearly Christmas, so time for a recap.
In the realm of free audio I've produced...
Two episodes of Live from the Get In!
A radio version of the award-winning play Fantasy Terrorist League
A re-imagined production of the follow up play, Keynote Speaker, with Simon Nader.
A documentary series using an archive recording of a veteran of the First World War, Wartime Memories.
A reedited version of the comedy Hang
A recording of John John by John Heywood for my other blog - any day now!
The odd totally random thing...
Most of which can be heard below.
And I've also produced the odd bit of live theatre: returning to London with Undead Bard - including Shakespeare: The Ever Living! and a revival of The Shakespeare Delusion - which will be online for free as a radio adaptation very shortly.
And finally, I directed by good friend Anthea Halstead in the well received adaptation of The Yellow Wallpaper.
Actually, this is a bit of a lie. It didn't happen in a year. It was nine months. And none of this could have happened without my fabulous patrons who've all supported my work. Phil Hope, Sara Knight, Fiona Dinning, Sharon Buckler, Pete Richmond, Alan Scott and my family.
And I could do more - with your help. Could you pledge just $1 a month - $12 a year? It's so easy to do and makes such a difference.
And it's so easy with Patreon to give and help my work happen - just sign up and pledge - and you'll get my online audio work before anyone else! And if you pledge more, then you'll get extra special surprises too.
Have a listen, make a pledge, help make next year even more exciting! After all, it is Christmas*.
*It is now the 1st December and so perfectly legitimate to reference Christmas, nay it's practically an obligation. Christmas, Christmas, Christmas! So there.
This Storyteller blog follows the progress of writer/performer Robert Crighton as he writes a series of new stories for live performance - as well as any other interesting theatre thing that might cross his path.
Showing posts with label the yellow wallpaper. Show all posts
Showing posts with label the yellow wallpaper. Show all posts
Thursday, 1 December 2016
Wednesday, 16 November 2016
The Yellow Wallpaper
Quay Productions Presents…
The Yellow Wallpaper
By Charlotte Perkins Gilman
Performed by Anthea Halstead
Directed by Robert Crighton
This is an intimate staging of a classic piece of feminist literature - telling the story of a woman isolated in a house in the country, trapped by her husband and family, and forbidden to work, or even to write. All she has to think about is the room she’s in – and the yellow wallpaper.
Performed Monday 14th & Tuesday 15th November 2016 at 7.30pm in the GKR at the Quay Theatre, Sudbury
This is an intimate staging of a classic piece of feminist literature - telling the story of a woman isolated in a house in the country, trapped by her husband and family, and forbidden to work, or even to write. All she has to think about is the room she’s in – and the yellow wallpaper.
Performed Monday 14th & Tuesday 15th November 2016 at 7.30pm in the GKR at the Quay Theatre, Sudbury
‘Director’s note:
Though I’m credited as director and Anthea as performer, it isn’t quite so clear cut as that. Rather than choosing a piece, laying out a vision and casting accordingly, Anthea brought the original story to me and suggested we create something from it. Together we’ve pieced together a way of telling this story. Originally written as a first person, in the moment, journal account of events, Anthea wanted to tell the story as an older woman looking back. With this as a starting point we’ve worked together with the text, editing and adapting the piece as we went along. It’s been a long process, nearly six months have passed since we first starting playing with the text, and a number of ideas about how to realise the story have come and gone. This might not be the final version either - the show you’re watching tonight may yet be the start of our next exploration of this text.
Though I’m credited as director and Anthea as performer, it isn’t quite so clear cut as that. Rather than choosing a piece, laying out a vision and casting accordingly, Anthea brought the original story to me and suggested we create something from it. Together we’ve pieced together a way of telling this story. Originally written as a first person, in the moment, journal account of events, Anthea wanted to tell the story as an older woman looking back. With this as a starting point we’ve worked together with the text, editing and adapting the piece as we went along. It’s been a long process, nearly six months have passed since we first starting playing with the text, and a number of ideas about how to realise the story have come and gone. This might not be the final version either - the show you’re watching tonight may yet be the start of our next exploration of this text.
Thanks to Alan Scott for lending the lighting, as well as everyone at the Quay for supporting new work like this.
My work couldn't happen without the support of my patrons - if you think you could contribute to the work I create, go to www.patreon.com/robertcrighton and see if you can help.
My work couldn't happen without the support of my patrons - if you think you could contribute to the work I create, go to www.patreon.com/robertcrighton and see if you can help.
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